Written by 9:51 pm Arts • One Comment

Hygienic Art XXXI Displays Student, Community and Phallic Art for All

The ruckus was evident throughout the city as Hygienic Art XXXI opened last Saturday at Hygienic Art Gallery with a collaborative exhibit more akin to a cabinet of curiosity than an art show.

The Hygienic Art Show, adamant in the “no judge, no jury, no fees, no censorship” policy it was founded on, filled its space with everything from an oxygen tank that had been molded into an octopus to a dildo sitting in a shoe-box shrine hanging above a titanic, cardboard brassiere.

Notable writer, editor and voice actor Doc Hammer, a former resident of New London who has gained critical acclaim for his involvement with the animated television series The Venture Bros., was lurking around the gallery.

“I’m walking around counting dicks; so far I’m up to five, which for any other art gallery would be absurd, but for Hygienic is below average,” he said.

Indeed, the Hygienic Art Show has had a long-standing tradition of encouraging the presence of any overtly absurd or risqué sexual pieces, and in classic fashion phallic pieces dominated the scene.

The excitement extended beyond the gallery though as local musicians gathered at the Crocker House for the annual Rock Fix event, headlined by local standards Fatal Film and The Weird Beards with Connecticut College professor-fronted Above/Below also filling out the night.

Waterford resident, Patrick Murphy, RN, born and raised in New London and trombonist of Above/Below, said, “Hygienic historically has less to do with the intrinsic quality of the music and more to do with the community that’s come up around it.”

Murphy noted the dynamics of the Rock Fix line-up as well as the quality of Connecticut College alumni art collective Nasty Outfit’s showing at Muse. Featuring the work of Adam Campos ’08, Catherine “Cato” Johnson ’10 and AJ Zane ’09, the display contained a collection of Campos’s photographs and Zane’s digitally manipulated images.

Connecticut College students were present in fairly high concentrations at both Hygienic Art Gallery and Muse. Notable student submissions in the Hygienic showing included pieces by Dave Alfonso ’10, Justin Levy ’10, Logan Zemetres ’10, and Zoë Diaz-Martin ’12.

Ann Marsh Daly ’12 commented on the quality of amateur work at the gallery. “There was a lot of impressive work from basement artists,” she said.

Sophomore Laura Profeta chimed in, “It’s kind of like a yard sale.”

Hygienic, New London’s biggest cultural event of the year, lays bare the singular qualities of New London, a scene built more around the community than the art itself. Doc Hammer himself has started to come to terms with the allure of New London.

“You just can’t get away from this place,” he said.

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